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Rajput painting, also known as Rajasthani Painting, is a style of Indian painting, evolved and flourished in the royal courts of Rajputana, India. Each Rajput kingdom evolved a distinct style, but with certain common features. Rajput paintings depict a number of themes, events of epics like the Ramayana and the Mahabharata, Krishna’s life, beautiful landscapes, and humans. Miniatures in manuscripts or single sheets to be kept in albums were the preferred medium of Rajput painting, but many paintings were done on the walls of palaces, inner chambers of the forts, havelis, particularly, the havelis of Shekhawati, the forts and palaces built by Shekhawat Rajputs. The colours were extracted from certain minerals, plant sources, conch shells, and were even derived by processing precious stones. Gold and silver were used. The preparation of desired colours was a lengthy process, sometimes taking weeks. Brushes used were very fine. ==Schools== In the last decades of the 16th Century Rajput art schools began to develop distinctive styles combining indigenous as well as foreign influences (Persian, Mughal, Chinese, European) into unique styles. Rajasthani painting consists of four principal schools that have within them several artistic styles and substyles that can be traced to the various princely states that patronised these artists. The four principal schools are as follows: # The Mewar school that contains the Chavand, Nathdwara, Devgarh, Udaipur and Sawar styles of painting # The Marwar school comprising the Kishangarh, Bikaner, Jodhpur, Nagaur, Pali and Ghanerao styles # The Hadoti school with the Kota, Bundi and Jhalawar styles and # The Dhundar school of Amber, Jaipur, Shekhawati and Uniara styles of painting. The Kangra and Kullu schools of art are also part of Rajput painting. Nainsukh is a famous artist of Pahari painting, working for Rajput princes who then ruled that far north. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Rajput painting」の詳細全文を読む スポンサード リンク
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